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African Urban Echoes

By Jide Salawu

Edited By Rasaq Malik
For more than two decades, poetry anthologies in African literature have navigated the shared world of African identity or living in the continent of Africa without capturing comprehensively the lifeworld of African cities. African Urban Echoes is a gathering of poets, including notable Canadian poets such as Jumoke Verissimo, Uchechukwu Umezurike, James Yeku and the Griffin Poetry Prize winner, Tolu Oloruntoba, that seek to contribute to the echoes of resistance, hope, and anxieties all produced simultaneously by African urban centers in their polyvalences and unique characters.

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Jide Salawu is the author of Preface for Leaving Homeland published under African Poetry Book Fund, and the co-editor of African Urban Echoes published by Griots Lounge Canada. His poetry has appeared or is forthcoming in The Fiddlehead, Walrus, Poetry Pause, Literary Review of Canada, Prairie Schooner, Rattle, Transition, and so on. He was a Yosef Wosk Fellow and the recipient of the James Patrick Folinsbee Award for Creative Writing at the University of Alberta. Salawu grew up in Shao, Nigeria, but currently lives in Edmonton, Canada, where he teaches as an assistant lecturer at the English and Film Studies program of the University of Alberta.

Rasaq Malik is a Nigerian poet and essayist. With Oredola Ibrahim, Malik is the co-founder of Atelewo, the first digital journal devoted to publishing works written in the Yoruba language. He was the founding Editor-in-Chief of Agbowo.

For more than two decades, poetry anthologies in African literature have navigated the shared world of African identity or living in the continent of Africa without capturing comprehensively the lifeworld of African cities. African Urban Echoes is a gathering of poets, including notable Canadian poets such as Jumoke Verissimo, Uchechukwu Umezurike, James Yeku and the Griffin Poetry Prize winner, Tolu Oloruntoba, that seek to contribute to the echoes of resistance, hope, and anxieties all produced simultaneously by African urban centers in their polyvalences and unique characters. Poets from different African countries evoke detailed portraits of lives as cities and cities as lives. They compel us to see both the defined and undefined beauties of African cities through sublime experiences captured in disparate forms and networks of images in this anthology. They immerse their readers in marginal realities of urban citizenship and turn them to witnesses of both familiar and unfamiliar landscapes from Lagos, Lome, Johannesburg to Tunis, and of places that are inevitably part of their stories as pilgrims, as travellers settling and leaving.

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